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edward.maurath

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
Cello	17	0	3	5	95%
Juno	15	0	4	9	84%
Vln 1	20	0	4	5	80%
Violas	19	0	4	5	74%
Vln 2	21	0	6	3	70%
Celli	17	0	3	3	66%
Kontrebaß	17	0	3	3	66%

Händel: "Samson," (oratorio), "Let the Bright Seraphim"

edward.maurath

3:59	Est. Play Time
76	Measures
	1,390Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
Violas	17	0	5	6	72%
Vln 2	23	0	6	6	72%
Harpsi	17	15	3	7	71%
	20	16	3	4	61%
Israelite Woman	16	0	4	9	70%
Celli	20	0	4	5	59%
Kontrebaß	20	0	4	5	59%
Trumpet	10	0	1	8	51%
Organ with out pedals (Continuo)	16	12	5	5	22%
	15	8	3	3	22%

BWV 245 N 21 - Und die Kriegsknechte flochten

edward.maurath

8:18	Est. Play Time
113	Measures
	2,969Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenori	21	0	10	6	88%
Bassi	23	0	11	7	75%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenori	21	0	10	6	88%
Bassi	23	0	11	7	75%
Bassono Grosso	25	0	8	6	62%
Bassoon Continuo	25	0	8	6	62%
Contrabassi Continuo	25	0	8	6	61%
Flute 1	22	0	9	7	60%
Flute 2	22	0	8	7	60%
Violoncelli Continuo	25	0	8	6	60%
Violas	23	0	8	6	59%
Oboe 2	20	0	6	7	57%
Alti	17	0	5	6	56%
Violins 2	25	0	10	6	56%
Oboe 1	22	0	8	7	55%
Soprani	19	0	7	6	55%
Violins 1	24	0	11	6	55%
Organo Continuo	25	9	11	7	51%
	21	0	8	7	54%
Violoncello Continuo	18	0	9	5	38%
Cembalo Continuo	21	56	10	6	35%
	18	2	7	6	35%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
Violini Tutti	21	0	5	7	76%
Cleopatra	15	0	4	6	62%
Violoncello Continuo	18	0	4	5	61%
Oboe	12	0	1	7	59%
Contrabassi Continuo	17	0	2	5	51%
Violoncelli Continuo	17	0	2	5	51%
Bassoon Continuo	15	0	0	5	44%
Viole	10	0	0	5	34%
Bassoon Viola	10	0	0	5	16%

Empio, diro, tu sei, from HWV 17, (1724)

edward.maurath

4:44	Est. Play Time
64	Measures
	1,120Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	10	8	5	100%
	27	16	8	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	10	8	5	100%
	27	16	8	6	100%
Celli	27	0	8	6	100%
Continuo	27	0	8	6	100%
Kontrebaß	27	0	8	6	100%
Violini	24	0	12	4	82%
Cesare	16	0	6	6	65%

Handel - HWV 61, Overture in e minor

edward.maurath

6:09	Est. Play Time
70	Measures
	2,097Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
Vln 2	29	0	11	10	96%
VLN 3	20	2	6	9	91%
Harpsi	19	44	4	8	51%
	25	14	9	9	87%
Cello	23	0	8	9	87%
Kontrebaß	23	0	8	9	87%
OBO 1	22	1	8	10	83%
OBO 2	22	1	8	10	83%
Bassoon	23	0	8	9	79%
Organ	15	21	2	8	38%
	17	8	2	7	29%

HWV17a2n05y1724 "Se in fiorto ameno prato" from "Giulio Cesare in Egitto"

edward.maurath

6:49	Est. Play Time
97	Measures
	1,535Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
	28	68	10	8	84%
Harpsichord	20	48	6	8	84%
	27	51	9	8	84%
Cesare	15	0	6	8	71%
Bassoon	14	7	0	7	60%
Continuo	22	0	6	5	55%
Vln 1	16	0	4	8	37%
Celli	16	0	2	5	35%
Kontrebaß	16	0	2	5	35%
Vln 2	13	0	0	6	32%
Violas	10	0	0	7	29%

HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major

edward.maurath

6:16	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
Cleopatra	15	0	2	8	88%
Vln 1	20	0	4	5	80%
Harpsichord	18	9	3	6	78%
	18	6	3	6	78%
Continuo	17	0	3	6	78%
Vln 2	20	0	4	5	64%
Flute	11	0	1	4	51%

"Al lampo del armi" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

4:17	Est. Play Time
62	Measures
	1,714Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	0	5	3	100%
	23	0	5	3	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	0	5	3	100%
	23	0	5	3	100%
Harp Continuo	23	0	5	3	100%
	23	0	5	3	100%
Contrabassi Continuo	23	0	5	3	100%
Violoncelli Continuo	23	0	5	3	100%
Violoncello Continuo	23	0	5	3	100%
Violini	18	0	4	5	95%
Cesare	11	0	2	5	78%
Bassi	8	0	0	2	4%
Contralti	9	10	0	2	4%
Soprani	5	0	0	2	4%

"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)

edward.maurath

0:01	Est. Play Time
98	Measures
	1,841Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	25	92	5	11	77%
	20	7	3	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	25	92	5	11	77%
	20	7	3	10	100%
Violoncello (Continuo)	18	0	3	8	100%
Soprano as Almirena	13	0	2	11	77%
Violoncelli (Continuo)	17	0	2	7	76%
Contrabassi (Continuo)	16	0	1	7	75%
Violin	17	0	2	8	75%

K 492: Number 24, "Il caproro e la caprella,"

edward.maurath

3:13	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	7	8	100%
Violins 2	24	4	7	8	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	7	8	100%
Violins 2	24	4	7	8	100%
Violas	17	0	3	9	99%
Celli	19	0	6	5	98%
Contrabasses	16	0	4	4	90%
Marcellina	14	0	3	11	79%
Harpsichord	11	9	0	4	28%
	13	7	1	4	29%

Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)

edward.maurath

2:17	Est. Play Time
64	Measures
	1,288Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
Bassoon (Violas)	12	0	1	5	100%
Bassoon Continuo	15	0	1	2	100%
Contrabasses Continuo	15	0	1	2	100%
Oboe 1	15	7	3	6	100%
Oboe 2	15	0	3	5	100%
Violas	12	0	1	5	100%
Violins 1	15	7	3	6	100%
Violins 2	15	0	3	5	100%
Violoncellos Continuo	15	0	1	2	100%
Horn A	9	18	0	5	69%
Horn D	9	18	2	5	69%
Basses	12	1	1	4	41%
CONTRALTOS	11	0	2	3	41%
Sopranos	9	2	2	6	41%
Tenors	9	5	1	3	41%

"Svegliatevi nel core" from HWV 17, (1724)

edward.maurath

3:08	Est. Play Time
64	Measures
	1,364Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	22	6	6	5	100%
	23	9	4	6	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	22	6	6	5	100%
	23	9	4	6	100%
Harpsichord	21	2	4	5	100%
	24	10	7	6	100%
Celli	21	0	4	5	100%
Continuo	21	1	4	5	100%
Contrabasses	21	0	4	5	100%
Vln 1	23	0	5	5	98%
Vln 2	19	0	4	5	98%
Castrato as Sesto	15	0	3	6	80%
Flute	13	17	2	4	25%

K 492, #25, "Ineque anni"

edward.maurath

5:30	Est. Play Time
138	Measures
	2,207Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
Celli	20	0	6	9	95%
Contrabasses	20	0	6	9	95%
Violas	19	7	6	9	95%
Don Basilio	17	0	7	6	91%
Bassoon	22	31	7	8	64%
B♭ Clarinet	19	23	6	7	63%
Flute	18	0	6	9	62%
B♭ Horn	9	10	0	7	54%
Harpsichord	19	6	3	5	16%
	17	7	2	3	15%